關於阿三 Biography

 

 

 

 

 

香港藝術家、藝評及寫作人。香港中文大學藝術系畢業,後修畢藝術碩士(創作)及性別研究文學碩士課程。他的創作經年思索文字、文學與繪畫的關係,文學性之於當代繪畫的契合。

 

近年展覽包括「The Name Red」(2021)、「Everyday Practice」(香港及紐約,20192020)、「一夕餘地」(2019)及「在詩的港口」文學實驗計劃(2016-17)等。曾入選Sovereign傑出亞洲藝術獎、獲大華銀行年度水墨藝術大獎、丁衍庸藝術創作獎、中文文學創作獎及高美慶教授藝術史獎學金等,著有《單程票》、《與記憶不符的將來》、《書寫繪畫》、《文本有相》及《Everyday Practice》等展覽小書。

 

他曾任《秋螢》詩刊編輯及香港文學館理事,《楊東龍:就是繪畫》作品集及《藝術 醫院 廿五年》編輯;現為大專兼任講師、藝評組織Art Appraisal Club成員、藝術評賞計劃「時刻導賞員」負責人,及電台藝術節目嘉賓主持。

 

 

 

Artist, art critic, and writer based in Hong Kong. Chan holds a BA and MFA in Fine Art and an MA in Gender Studies, all from the Chinese University of Hong Kong. He has always taken text and literature as points of departure in his artistic endeavor, through which he contemplates the intimate relationship between painting and literariness.

 

His recent solo exhibitions include The Name Red (2021), Everyday Practice (Hong Kong 2019 and New York 2020), Land of Longing and Exile (2019), and Alongside Poetry in an Alley (2016-17). Chan has been a finalist in the Sovereign Asian Art Prize, a winner of the UOB Art in Ink Award, awardee of the Ting Yen Yung Memorial Creative Award, the Awards for Creative Writing in Chinese, and Professor Mayching Kao Art History Award. His exhibition catalogues One Way Ticket, Future, at Variance with Memories, Writing Painting, The Countenance of Text, and Everyday Practice were published.

 

Chan was one of the editors of Qiuying poetry magazine, an executive committee member of The House of Hong Kong Literature, editor of Yeung Tong Lung: Just Painting and Art in Hospital A Quarter Century. He is now a part-time lecturer in universities, co-founder of an art-critic-collective Art Appraisal Club, art director of an online art review project “Free Walk In”, and guest host of a radio art program.